Changing places

Fellow composer Julian Broughton and I have suggested changing our identities (and shaking up our ideas) by using each other’s compositional ‘f’ingerprints’. We have teamed up with clarinettist Steve Dummer to try to raise funds to commission and...

Contretemps

The bassoon is an awkward, athletic, melancholy, rambunctious instrument! There aren’t many solo pieces for it – so I’ve just written...

New Year’s Irresolution

‘Kiss Me on Wednesday (Don’t Kiss me Now)’ is a cabaret song cycle I wrote with brilliant lyrics by Alison Rutherford, sad and funny. This one is ‘New Year’s Irresolution’. Another New Year, Another fresh look at your life: A change...

O Ecstasy!

These SATB settings are of four vivid poems by Mervyn Peake. They alternate between the nonsensical and the heartbreakingly tragic. 1. ‘O Love!, O Death!, O Ecstasy!’ 2. ‘And I Thought You Beside Me’ 3. ‘The Trouble with Geraniums’ 4. ‘Out of the Chaos of my Doubt’...

No longer distant Echo

In 1991, director Wilf Judd at Covent Garden developed a wonderfully imaginative scheme (The Garden Venture) to commission short chamber operas. Mine, titled ‘Echoes’, had a brilliant libretto by Anne Harris whose skills – developed writing for television...

Crossing borders

I wrote ’Crossings’ for viola and guitar this year for violist Patricia McCarty and guitarist Bill Zito. Their first, video, performance was streamed online from the InterHarmony International Music Festival: https://www.interharmony.com/ The concert is posted on the...