ABOUT JOHN HAWKINS
John Hawkins, born in 1949, studied composition with Malcolm Williamson and Elisabeth Lutyens. He has written many chamber, vocal and orchestral pieces, which have been performed worldwide, as well as music for students and children.
On leaving Highgate School, a brief attempt at studying dentistry at Guy’s Hospital was followed by more than 40 years’ work at the book publisher Thames & Hudson in production, design and finally digital book publishing. Musically, a course at London’s City Lit. led to private study with Malcolm Williamson and then with Elisabeth Lutyens.
On the recommendation of conductor Sir Charles Mackerras, John Hawkins was commissioned by the Marine Society to write a Sea Symphony, The commission specified first the experience of a four-week voyage to Australia on a container ship! The BBC broadcast one of three performances of the Symphony by the Bournemouth Symphony Orchestra, followed by a broadcast by the BBC Scottish Symphony Orchestra.
Following the Symphony came other pieces to create a large-scale trilogy. The first of these, Voices from the Sea for voice and string orchestra (‘… a stunning song cycle’ – THE STRAD), sets words by working merchant seamen. Sung by Martyn Hill, it is available on CD from Meridian Records. The final part of the trilogy is The Seafarer for tenor, choir and chamber orchestra in which a translation of the Anglo Saxon poem ‘The Seafarer’ is counterpointed with a dramatic letter from a seaman on a foundering cargo ship, written by Liverpool writer George Garrett.
The one-act opera Echoes was commissioned by and performed as part of Covent Garden’s ‘Garden Venture’ scheme.
Chamber music includes Urizen, a virtuoso piece for viola and piano (first published by Boosey & Hawkes, now available from Comus Edition) which has been performed and broadcast many times worldwide. A recording by its dedicatee Paul Silverthorne was made on the Black Box Music CD ‘Invocations’. Nardo Poy and the New York Orpheus Chamber Orchestra gave the first performances of a version with string orchestra. A further version with chamber orchestra was made in 2007 for a performance in Japan by Yuko Inoue.
String quartets include an early (1977) three-movement quartet, published in 2014 by Fountayne Editions, and two single-movement quartets: Fuzon (2013) – published by Comus Edition – and Caged Moon. The string trio Quietus is included on the ‘Voices from the Sea’ CD and is published by Comus Edition.
The largest of John Hawkins’s choral pieces is ‘This World’ for choir and two trumpets. The libretto was inspired by working with the poet and Blake scholar Kathleen Raine on her book about William Blake ‘The Human Face of God’. It was commissioned by the choir Cryes of London and broadcast by the BBC Singers.
Other performances in 2019 included ‘Take Two’ (guitar duo); three performances of ‘Cortège?’ (violin and piano); ‘Looking Back’ (violin and piano); ‘Stranger, Lover, Dancer’ (solo ‘cello); ‘Lost in Translation’ (solo piano) and ‘At Two’ for two violas.
‘Sonata Serenata’ for Flute and piano was performed both at the Presteigne Festival by Katherine Bryan and in London, at St Martin in the Fields, by Emma Halnan.
A CD of all my music for clarinet was released in January by Claudio Records. The CD includes the Clarinet Concerto and ‘Simplicius Simplicissimus’ for clarinet and string orchestra and a setting of Edward Lear’s ‘The Dong with a Luminous Nose’ (voice and solo clarinet). Also included are the ‘Clarinet Sonata’ and ‘In Touch’ (three movements for clarinet, cello and piano).
The Clarinet Sonata was performed by Steve Dummer and pianist Yoko Ono in Brighton in February and in Horsham in March.
‘Grounds’ for oboe and strings, first performed in 2019, was to be performed this year by John Anderson (in its oboe and piano version) at the Barbirolli International Oboe Festival. Sadly, the Festival was cancelled because of corona virus, but the piece will be rescheduled for next year!
Performances this year have included ‘Party Piece’ for two violas and clarinet performed by members of the wonderful Cuatro Puntos in Hertford CT; ‘Crossings’ for viola and guitar by Patricia McCarty and Bill Zito (streamed online from the InterHarmony International Music Festival); ‘BopBop’ for solo violin (online by Fenella Humphries).
New pieces written in 2020 include four ‘Period Pieces‘ for piano in the form, but not the style, of a baroque suite; ‘Friulian Songs‘ (two songs setting poems in the lovely Friulian language); ‘Canon and Toccata’ for two violins.
New pieces this year:
‘Nocturne’ for violin and piano is a companion piece for my ‘Cortège?’ and is again based on a poem by Garcia Lorca. It will be first performed, together with ‘Cortège?’, in Brighton in October 2021.
‘Contretemps’ is a dramatic new piece for solo bassoon (c. 2’30”)
‘Period Pieces’ A string trio version of my keyboard suite (Allemande, Courante, Sarabande and Gigue)
‘Three Cafés’ (‘New York’, ‘Rio’ and ‘Paris’) for clarinet and piano are enjoyable character pieces for (fairly) advanced students!
John Hawkins is married with three children and lives in Lewes, East Sussex. He is a member of the composers’ group New Music Brighton.